Just a quick note that Longberry Issue 2 is now widely available. If you want to pick up a copy direct from us, or buy wholesale, then just head over here to the Longberry Store.
As before, there’s a digital download available (though you really want the physical of this issue…) When we’ve sold out all the physical copies then the digital will continue to be available.
We’re really proud of this issue, and I think it is a big step forward from the first. It’s going to not only interest you but also challenge you, whether you work in coffee or just enjoy drinking coffee. There’s an overview of the issue here.
As before: we produce the magazine without any advertising in it and pay our writers and contributors, and with your support we can continue this (very) occasional journal of coffee. If you want to write for us then email firstname.lastname@example.org.
Roasting coffee is, put kindly, a fickle affair. On a good day it feels like chasing a dropped piece of paper in the wind. On a bad day it feels both impossible and unknowable.
In recent years roast degree has become imbued with a kind of morality. A tenet of modern coffee is transparency, and we know that any step in the seed to cup process can cloud it or leave it clarified. Roasting, of course, is perhaps the most obvious step for scrutiny. Roasting a coffee to a deeper degree obscures its origins, any taste of place smothered under generic, carbon-like roast notes. This was considered bad, because this practice works well should your taste of place not taste very good. Low quality coffee would obviously be roasted darker to hide its shame. Starbucks were long held up as the evil doers in the world of dark roasting. The reasons proffered within the community were many and varied: “They do it because they buy bad coffee.” or “They do it so their coffee tastes the same all over the world.” or “They do it so it is easier to extract/it’s more tolerant.”. Now is to the time to examine or debunk these claims, perhaps another time…
As such the idea that dark roasting was bad infused the community. Many of us spoke at length at how dark roasting was bad. Many of us preached that roasting lighter was good. To take a beautiful coffee, bursting with character, from a farmer who cared and then to roast it dark, to obscure it’s inherent goodness is (of course) wrong, morally reprehensible and ultimately repugnant.
The tricky part of this was that lightness in roasting became a kind of righteousness, and therefore the lighter you could roast the better you were (from a moral and qualitative perspective). The words themselves (light and dark, compounded by Star Wars) equally mirror these sentiments. The one who roasts lightest roasts best…
Here we reach a painful part. Collectively we, as an industry, are deeply forgiving of failed light roasts. The intentions being interpreted as pure, as pro-transparency, as pro farmer.
When coffee is grassy, and sour, we forgive it – for the roast was light.
When the coffee isn’t sweet, but vegetal, we forgive it – for the roast was light.
When the coffee is sparkling and bright, but one can’t finish a full cup because of the accumulated astringency we forgive it – for the roast was light.
In all this, I believe, we are making a mistake: the forgiveness is not ours alone to give. While we often crave, and also navigate by, the compliments of our industry peers, we only drink a fraction of the coffee we roast. Even then, much of the time we drink it we do so in alien ways like cupping bowls.
Consider this simplistic thought experiment: you are about to roast a coffee. However, you know beforehand that you can either roast it slightly too light, or slightly too dark. You must choose your mistake. The end result won’t be far from your desired goal, just a small miss, as might happen to every roaster on any day. Which do you choose?
If you work in coffee, then you choose “too light”.
I wonder what, if given a tasting of a small batch brew of each roast, your customers would choose? I doubt they’d be completely unified in their decision but I also doubt their preference would exactly match ours.
I should make an important point now: this is not an impassioned blog post encouraging roasters of the world to roast darker. Firstly, I like lighter roasted coffee and prefer drinking it and I strongly dislike the taste of dark roasted coffee. Secondly – roast however you want. Variety is a good thing. When we all do the same thing it gets very, very boring.
My point is that we are scathing to anyone who lets a roast run a little too deep, while utterly forgiving of those who make the opposite mistake. I would like that to change. I believe they are both equal mistakes, both impact the enjoyment of the end cup (though I would argue light roasting is perhaps worse as it seems to discourage consumption more. Also a painful truth: dairy and sugar do little to make a grassy, sour cup of coffee palatable…)
As I said at the beginning – roasting is hard. Mistakes will happen often, as reluctant as the industry is to talk about it. I think our tolerance is badly weighted, and I worry this is impacting our existing customer’s experiences and also our ability to reach and engage new customers and new audiences. If you’re going to criticise a company/roaster/batch for roasting too dark, then you should equally criticise those who roast too light.
- Let’s avoid the substantial contrary evidence of instant coffee and rapid roasting, where the coffee is roasted very quickly and dropped quite early. This has the dual benefit of leaving more soluble material and not causing problems – like fires, that rapid roasting to second crack will inevitably cause. ↩︎
- I would be even more certain of this if you’d worked in coffee for less than 5 years, and significantly less certain if you’d worked in it more than 10 ↩︎
Perhaps some of you doubted that Longberry would return for another issue. Perhaps some of you thought that the strap line of “An occasional journal of coffee” was a strange choice. Either way, I hope you’re pleased to hear that Longberry is returning!
Issue Two will be available very soon, shipped by us direct to your door and also available (we hope) at cafes, and places, all around the world. (Because this time it will be available wholesale also).
To celebrate the launch Longberry are collaborating on a dinner with the rightly lauded chef of Silo in Brighton, Douglas McMaster. The dinner takes place during the weekend of the UK Brewers Cup, also taking place in Brighton this coming weekend.
Tickets for this dinner are still available, and they consist of an £8 donation to charity. Don’t let this absurdly low number fool you, this is going to be one of the most interesting dinners you could attend, if you’re in any way interested in coffee, sustainability and waste. (Carrots slow cooked in the heat of coffee compost anyone…?). Douglas is one of the most innovative, interesting chef in the UK and you should visit Silo if you get the chance.
Somehow there are some tickets left, and I strongly recommend you buy one. Adding on a train ticket and a hotel in Brighton won’t prevent this being a bargain. Tickets are here.
Back to the magazine: what can you expect in this issue? More stories from origin that never get told (reactions to this piece are going to be interesting…), plant sentience and coffee fighting back, an exploration of the forgotten fruit, and plenty more. We’re very proud of this issue, and I like how it has progressed from the last one. Right now we aren’t accepting wholesale or retail orders, but I will post again as soon as we are.
- I say Longberry, aware that the work is really being done by Editor Ben Szobody ↩︎
This is a little project I’ve been wanting to complete for a very long time. Working on the World Atlas of Coffee gave me the additional nudge to do the work.
I’m producing a poster that I thought would be useful, interesting and hopefully a little bit of fun. It is a Coffee Variety Family Tree Timeline poster. It shows a selection of the most common varieties, and how they connect to each other as well as when they came to be.
Selling the poster direct is not something I have the resources to do, so we’re going to be making it available wholesale only. This means it ships in multiples of 10 posters, 10 being the minimum order.
To help size the print run correctly I’m asking people to express interest by filling in the form below. This isn’t a commitment to buy, just an expression of interest.
We’d expect the poster to retail for about £10-12/$15-17, and it will be A1 sized (841mm/33 inches x 594mm/23inches). Wholesale pricing is going to be at least a 50% discount, and we’re working to make sure shipping worldwide is as cheap as possible. We’ll be in touch with you with more details soon.
Here’s an image of the poster:
I’m delighted (and relieved) to get this to the point of completion, and hope people really like it! If you’re interested, or your cafe/roastery/bookshop/place of business is, then do please let me know below: