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"Writers' Rest" - 5 new articles

1. Trish Perry, author of Sunset Beach. ...
2. MEET OUR GRANDDAUGHTER by Molly Nobl...
3. What Are YOU Working On?
4. Writers' Collectives, Are they worth it?
5. It's My Profound Pleasure...
6. More Recent Articles
7. Search Writers' Rest

Trish Perry, author of Sunset Beach. ...

Trish Perry, author of Sunset Beach.

by Molly Noble Bull
www.mollynoblebull.com

Molly:
Today I am interviewing Trish Perry. Welcome to Books That Inspire.
Trish, tell about your exciting Beach House series and the names of your current and upcoming novels. .
Trish:
I’ll try not to gush or ramble, Molly. This is a little like asking a grandma about her grandkids.
The books in The Beach House Series each feature different characters, but they’re all set at the same little beach house in San Diego. Sunset Beach is my most current installment in the series. It’s about a young woman, fresh out of college, who engineers a gathering of people at the beach house in order to uncover a lifetime’s worth of secrets about her parentage and family history. She gets more than she bargained for, including a romantic flash from her past.
My other beach house book is Beach Dreams. It involves a brand new believer—a formerly bad, conniving girl who we come to love. Through a scheduling mix-up, she has to share the beach house with another woman who would be a challenge to Mother Teresa’s patience, let alone our formerly snarky heroine’s. When the roommate’s wonderful, unappreciated boyfriend arrives in town, he further complicates the situation and eventually adds an unexpected spark of romance to our heroine’s beach getaway.
My first two published novels are The Guy I’m Not Dating and Too Good to Be True. The Guy I’m Not Dating is about a fitness trainer who vows to go the no-dating route to relationships right before she ends up on a road trip with an amazing guy who seems perfect for her.
And in Too Good to Be True, an elementary schoolteacher, whose philandering husband divorced her a year prior, falls for a charming male nurse but struggles with the fear of being hurt again. And both of these dear young people have major mommy issues.
My upcoming novels will be for a new series called The Tea Shop Series, set in beautiful, historic Middleburg, Virginia. The first booking the series is The Perfect Blend. It will be release until early 2011.
My blog is on my website, which is www.trishperry.com.
Molly:
Thanks. Now tell us a little about Trish Perry.
Trish:
I was born in Newfoundland, Canada, but I’ve lived in the U.S. since I was a toddler. Although we traveled around the country like gypsies when I was very young, I’ve lived in Northern Virginia most of my life, and I’ve always loved it here. Much of my family still lives in this area, which is wonderful.
I have a gorgeous adult daughter and a brilliant and hilarious son.
Molly:
What would you like to say to young people who might want to one day become novelists? Is there a special book on fiction writing that you can recommend?
Trish:
I always say this to any writer who will listen: pray about your writing. Every day. Ask for God’s guidance with regard to your writing, and turn your writing efforts over to Him every day. That way, you’ll always know your writing is going the path He’s set for it. That knowledge eliminates so much of the angst that can go along with this craft. And try to get into the habit of writing; you’ll see how that habit will sharpen your skills at observing life around you. You’ll notice more about people, about sensations, about emotions. Write down what you notice—you never know what God might be preparing you for in the notes you take.
The book that helped me get started on my first novel, back in the 90s, was Donna Levin’s Get That Novel Started (and Keep it Going ‘Til You Finish). Very helpful in simplifying what seemed like an overwhelming task. I think her more current version is called Get That Novel Written. There are oodles of books I’d recommend to anyone farther along the writing path, if they want to contact me through my website.
Molly:
It was great having you today, Trish, and I hope you will come back real soon. Next month my guest will be Linore Rose Burkard. See you then.

MEET OUR GRANDDAUGHTER by Molly Nobl...

MEET OUR GRANDDAUGHTER

by Molly Noble Bull
www.mollynoblebull.com


My husband and I met our granddaughter for the first time on Monday of this week. She is five months old—twenty weeks. Our son and daughter-in-law were there, too, along with the baby’s maternal grandmother. Our granddaughter is so cute. She lifted her little arm really fast as if she was waving to us, and there is a DVD to prove it.
So far, we haven’t held her and don’t know what her name will be yet. Her parents are still deciding. But by the time she is forty weeks, they will have decided. Around that time, we will be able to hold her for the first time. We can hardly wait.
Our granddaughter has a half-brother who is six years old, and she is the little sister he has always wanted. She has four cousins on our side of the family and one cousin on her mother’s side. The cousin on her mother’s side is a little younger than she. Our granddaughter also has a step-cousin on her mother’s side that is also a little younger than she is. So she will have plenty of family members to hold her and love—not to mention her adoring parents.
Our first visit with our granddaughter brought back memories of a time when her father was only three months old. Back then, a mother could only discover whether or not she was going to have a child via a doctor. I was teaching school at the time and chose to have a “rabbit” test. On the day I called for the results of the test, I was given permission to use the phone in the principal’s office, and I will never forget what happened during that phone conversation.
The nurse said something like, “The results were positive.”
“Positive yes or positive no?”
“Positive yes.”
“Do you know how old I am?” I asked.
“Yes, we do, Mrs. Bull, and if you would like to have an abortion, we have a number you can call.”
I was shocked that she would say such a thing.
Then I said, “You don’t know who you are talking to. I am a pro-life activist. I don’t do things like that.”
I wish I’d said more. But I had to get off the line. It was a public phone.
Now I can say what I wish I’d said then.
We have three grown sons, and like their parents and grandparents, all three were humans at conception. Our family didn’t come from animals, and yours didn’t either. We were humans from the beginning and made in the image of God.
I pray for our sons, our daughter-in-laws, our grandchildren and our descendants and their spouses for as long as there is a world.
And what do I pray?
I pray that they will seek and find the Lord so that they will go to heaven when they die. I also pray for their safety.
Abortion is not a woman’s right because abortion is a death sentence to the unborn child. In this country, we execute criminals—at least in some states. But we execute unborn children in all states.
My five-month-old granddaughter is safe in her mother’s womb. Many other babies her age are not safe.
We have laws preventing our tax dollars from paying for abortions, but it’s not enough. The killing must stop! By now, the blood of the innocence has reached to the top of the horses’ backs—perhaps higher.
Come quickly, Lord Jesus.
To learn more on this topic, please visit my blog.
http://voiceoftheunborn.blogspot.com/

What Are YOU Working On?

They say writers love to talk about themselves. I used to laugh at this. I'm generally quite shy, and don't tend to be a conversation starter. I certainly avoid being the center of the conversation. If you've ever attended a writer's conference, you can just imagine my discomfort at certain times.
Pitching, for instance. Yes, I know, you make your appointments, go sell your stuff. Nobody forces you to do it.
Ahem. I beg to differ. You all know who you are.
Then there's the meals. I usually dig in and keep my mouth fairly full so when my turn comes I have an excuse not to talk. But usually, at some point over five days, somebody is bound to ask, "What are you working on?" or "What do you write?"
The latter is much easier to answer. Spit out a genre and move on. But what am I working on? This second? What did I come here to pitch and hope to get a good response for?
Yeah.
I need to work on my marketing skills. And a bunch of other issues I have.
If I ever do sell a book, it's pretty much going to have to be one of those million dollar babies that just sells itself. I'll be the reclusive writer hiding away in a cave in an unknown land, such treacherous territory that only the stupidest of journalists would brave the terrain to get an interview.
That's my dream, but it's not very realistic, is it?
So I thought we should all band together, suck it up, and get some practice in here. We've only got nine months until the next ACFW conference!

You can do a full pitch if you want, or just tell me what you're working on at the moment. I'll be nice, I promise. I've had coffee.
I'll go first.
I'm working on a short contemporary romance that we'll pitch to Steeple Hill. It's an old manuscript that I'm rewriting, pretty much completely. So far so good. I haven't worked out a pitch yet. Ha. Good excuse, right?!
I'm also working on getting down some ideas for a new book idea that's rattling around in my brain. It's going to take place in Thailand. I think.
And I'm working on finding a home for my Vietnam book. Am I a little masochistic or what? Time will tell.
Well, that's me.
What are YOU working on?

This post is cross-posted over at My Blog
Why? Because I'm lazy. And I'm actually supposed to be writing all day today, not writing blog posts.

Writers' Collectives, Are they worth it?

Posted by Eileen Astels Watson

I have heard plenty about writers' groups and critique partners through the years, so when I was presented with the idea of getting involved in a local Writers' Collective run as a program through our library, I squinted, wondering why the weird name.

Turns out it's called a Collective for a very good reason. It's basically like working with a critique group only in person, but none of you have each others email address, phone number, or even full name, so you keep the "stranger" aspect intact. The Collective takes the personal aspect out of the whole process. With the exception of meeting in a designated room to discuss your submitted work once a month, you don't interact. For me, turns out that "strangers" who are also writers, prove to be the best no-nonsense, here's-how-it-is, critiquers. As a result, I'm all for Collectives now.

If your library doesn't have such a program, and you're in desperate need of a slap upside the head regarding your writing, beg, plead, and/or petition to your library's events planner to start working on such an opportunity for writers in your area.

Here's the just of how our events planner runs this program.

Each collective has a minimum of five, and a maximum of eight participants. Rooms in each of the library branches are booked from 6:30 pm to closing on the fourth Monday of each month for a "neutral" meeting place. The events planner is the staff liaison between the Collective members, so not getting chummy with one another is totally doable. You have no interaction other than at those set meetings.

The week before your scheduled meeting you send in to the events planner your five page double-spaced submission, with each paragraph numbered (turns out that although this is a pain to do, it works wonderfully in the round robin critique time), or a maximum of 2 poems, with just your first name and last name's initial on the top of each page and in the document name. The staff liaison then sends the submissions out to each member of your Collective to look over, critique, and bring with them to the monthly meeting.

I've got to say, that the single most blessing of this type of Collective is the DISTANCE we have from one another. That may change over time, as we become familiar with one another in those concentrated meetings, but I hope that's a long time coming. No one in my group was mean spirited, or belligerent, but they were HONEST and FORTHRIGHT with their assessments and told it like it was. They shared openly what bugged them about each others piece of writing. They threw in some niceties of course, too, but I glossed over them, and just clung to the eye-openers they passed along. Talk about seeing through unbiased eyes. There is no greater way to learn if you're serious about honing the craft than through the eyes of strangers who are also writers.

What about you, have you ever been involved in a Writers' Collective? If so, what did, or do you find the most beneficial? How does yours run?

Surrendering to Him,

Eileen

It's My Profound Pleasure...

to introduce you to my lovely and talented critique partner and friend, Jenness Walker!

See, told ya she was lovely!
Jenness and I have been friends for oh, about four years now. We met in the strangest of places. If you know us, you'll guess pretty easily, but I'll go ahead and tell you - it was through an online forum. Yep, we were both going to be attending the American Christian Fiction Writers conference for the first time, we were on the boards talking about our writing and how to pitch (neither one of us knew how and we were terrified) and we started shooting pitches back and forth. Next thing we knew, we were meeting up in Dallas. We became critique partners shortly after the conference, and the rest, as they say, is history. She still can't get rid of me.
We both became agented authors in the same year. We used to dream about publication together. Now I'm happy to say, I'm the only one who's still dreaming. Jenness has realized her dream with her debut novel, Double Take, published through Love Inspired Suspense.

I had the pleasure of critiquing this novel in all its various stages, and I have to say the finished product is pretty darn good. I won't give a review here, because I'm biased, but here's the blurb, and when you're done reading, go on Amazon and order Double Take! You won't regret it!
Cole Leighton can barely believe his eyes. A woman on his bus has just been abducted—in an exact reflection of a scene from the bestselling novel he's reading. Someone is bringing the book to life…and isn't above forcing an innocent woman to follow the story to its tragic end. Using the novel as his playbook, Cole catches up with the beautiful victim—but rescuing Kenzie Jacobs doesn't keep her safe for long. The killer is writing his own ending, and none of the twists and turns lead to happily ever after.

Jenness Walker fell in love with books before she could even read them. Growing up, she read while she walked in line, ate lunch, played the clarinet, showered and brushed her teeth. Unfortunately she still hasn’t figured out how to clean the house with a book in hand. Blessed with a vivid imagination—sometimes too vivid—Jenness loves to create her own stories as well. Her writing journey has spanned over twenty years so far, from the contest she lost in first grade to the creative writing correspondence course she took through high school and the first novel she penned in college. Now Jenness lives in Florida with her beloved Web site–designer husband and almost-equally-beloved laptop.

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