The Nikon D3300 DSLR Camera is a digital SLR body that allows you to shoot those special and amazing moments in stunning high quality when teamed with one of Nikon’s large range of compatible lenses.
Unforgettable memories, unforgettable photos
Small and lightweight, there’s nothing insubstantial about 24.2 megapixels of superb resolution. A large 23.5 x 15.6 mm CMOS sensor displays remarkable light sensitivity, rendering details with amazing sharpness and performing well in low light with an ISO range of 100 to 12800 (extendable to 25600 equivalent).
Your images will be packed with fine textures and naturalistic colours to really capture the atmosphere of whichever situation you find yourself in, thanks to the camera’s freedom from an optical low-pass filter (OLPF).
Capture clear, colourful photographs in all manner of lighting conditions as the camera’s EXPEED 4 image processor goes to work, delivering gorgeous photos every time. This fast and powerful image tool allows the camera to work at high speeds and sports enhanced noise reduction capabilities.
Advanced focusing mechanism
The Nikon D3300 DSLR is equipped with a razor-sharp 11-point AF system, so even if you’re shooting quickly or erratically-moving subjects, the camera keeps everything in focus. A cross-type sensor in the centre quickly locks onto your subject and maintains great focus for better action shots.
With 5 fps continuous shooting abilities, the camera also lets you capture passing moments or expressions almost as they occur, so you can shoot more unique and expressive photos of animals, kids, friends or whatever you choose.
Expand the horizons of what you want to accomplish with your photography when you shoot with the Nikon D3300. Its Guide Mode uses sample images and uncomplicated step-by-step instructions to show just how you can capture fantastic movies and photos.
Use Nikon’s optional Wireless Mobile Adapter to easily upload your shots to favourite sites via smart device when you want to share your work.
There are also 13 different photo effects for you to choose from so you can easily add an artistic touch to both photos and movies you’ve shot. Choose Effect Mode and select the option you want to apply before clicking the shutter.
Pop brightens colours, while Easy Panorama makes it a snap to capture spectacular vistas. Toy Camera lends a cool retro effect to your images, and there are many more options available to make your photos look that much more special.
Let’s go to the movies
You’ll be able to shoot Full HD 1920 x 1080p movies with your Nikon D3300. The D-Movie function allows you to capture video footage you’ll be proud to share with the world. Shoot in almost any light at frame rates up to 50p/60p to capture your moments with spine-tingling ambience.
Continuous autofocus is available in movie mode, so even fast-moving action is smoothly captured with outstanding sharpness and clarity.
View your photos
The clear viewfinder gives you a more traditional and accurate photographic view that allows you to grab perfectly-timed images.
There’s also a large 3” colour LCD screen provided on the Nikon D3300 SLR that makes it so easy to shoot the best parts of a scene and monitor fast-moving subjects more effectively. View your work immediately to make sure you’ve got the frames you’re after, and apply special effects without a hitch.
Easy camera operation
The D3300 offers dedicated one-touch buttons that allow you to access D-Movie and Live View modes. Located on the back of the camera, they let you bypass the main camera menu to swiftly adjust settings while you shoot.
When you’re shooting using the viewfinder, you’ll have the option of choosing a classic interface or graphic interface that animates settings. The former gives you simplicity once you’re assured of what you’re doing, while the latter makes it easier to follow which camera elements you’re controlling.
The DSLR body weighs just 410 g, so it’s easier to carry than previous models. The grip remains large and comfortable so that you can keep the camera steady as you perfectly capture those important moments.
The Nikon D810 DSLR Camera takes its place as the high resolution option in the Nikon DSLR lineup. It features a 36.3MP FX-format CMOS sensor without an Optical Low Pass Filter for particularly sharp and detailed still imaging. With the addition of the EXPEED 4 Image Processor, performance speed is increased compared to the EXPEED 3 and noise is effectively reduced throughout the ISO range. Continuous shooting speed in FX format is 5 fps and in DX format hits a maximum of 7 fps. In addition, the full HD video capabilities of the D810 have been upgraded to include 1080p capture at 24, 30 and 60 fps. Also, the improved efficiency of the processor enables up to 1200 shots on one battery charge and 40 minutes of video recording. Low light performance has been upgraded thanks to a wide native ISO sensitivity range that runs from 64 to 12,800 and can be expanded from 32 to 51,200.
The advanced Multi-CAM 3500FX autofocus sensor offers 51 AF points with 15 cross-type sensors and Group Area AF enables five AF sensors to be used as one group. This is useful when shooting subjects that cannot be tracked easily by one AF point due to lighting conditions.
As a camera optimized for video capture, the D810 features recording in both FX and DX formats including simultaneous recording to memory cards and an external recorder as well as recording 60p output to an external recorder. The ISO range for video has also been expanded to run from ISO 64 to 12,800 and expand to 51,200. Automatic ISO adjustment in manual mode enables smooth exposure transitions. A built-in stereo microphone is supported as are jacks for an external mic and headphones. A selectable audio frequency range provides exacting control over sound recording.
A 3.2″ LCD with 1,229K-dot resolution provides playback viewing and live view, and improved coatings on the optical viewfinder components provide brighter images and more accurate colors. Live View function now includes split screen display zoom for stills, and zebra highlighting display in video mode. Full aperture metering during live view for still shooting is supported.
Interval and time-lapse shooting feature exposure smoothing, and the maximum number of images per sequence is now 9,999. Improved Picture Control settings now offer Flat Picture Control to enable maximum dynamic range and color adjustments in post-production.
The D810 utilizes dual media slots for both Compact Flash and SD cards, and it provides a built-in flash with i-TTL metering as well as a hot shoe mount. A larger grip enables comfortable control for extended shooting, and a secondary “i” button has been added to back panel for faster access to important settings.
36.3MP FX-Format CMOS Sensor without an Optical Low Pass Filter
EXPEED 4 Image Processor
Native ISO Range of 64 to 12,800
Advanced Multi-CAM 3500FX Auto Focus Sensor
Group Area AF
RAW Size S
Reduced Vibration for Sharper Imaging
Quiet Continuous Mode
Full HD 1080p Video Capture in 60/30/24 fps
3.2″ LCD Monitor with 1,229k-dot Resolution
Interval Timer/Time-Lapse Shooting
CF and SD Card Slots
Designed specifically for the unique demands of the motion picture industry, the EOS-1D C Camera from Canon is a breakthrough in hybrid HDSLR technology–able to record stills, 4K and Full HD video, to either two on-board CF cards or uncompressed Full HD to outboard recorders.
One of the largest benefits of having 4K video technology in a DSLR body is that it will be able to go places that other larger 4K cameras cannot, providing new ways of composing and capturing scenes. It is also compatible with the entire fleet of Canon EOS lenses already available, and perhaps already in your arsenal. If you’re looking for a powerful yet versatile rig that knows what a cinematographer wants and needs, then Canon answers the call with this impressive offering.
The EOS-1D C was built to shoot cinematic quality, in a compact and versatile EOS body. It is able to capture 4K (4096 x 2160), 24p (23.976) content directly to its on-board CF memory cards. It does this by using an 8-bit 4:2:2, high bit rate Motion JPEG compression scheme–allowing 4K content to be acquired in virtually any shooting environment, without an off-board external recorder.
Coupled with the camera’s small form factor, the EOS-1D C allows 4K recording in environments that would normally be impossible or that would require much larger cameras, crews and permits. It also allows filmmakers to be discreet in crowded or hostile shooting environments, on and in vehicles, or even in underwater housings.
In addition to its large pixel size–for outstanding still images and 4096 x 2160 video–the camera provides the serious photographer with a generous ergonomic design, along with a smart layout of the controls. Dual CF card slots ensure that every shot can be captured, while the magnesium alloy body is dust and weather resistant, allowing you to get the job done without hesitation, or worry.
Producing the selective focus and field of view that made filmmakers fall in love with the EOS 5D Mark II, the standard Full-Frame HD setting on the EOS-1D C takes advantage of the camera’s 36mm sensor width. This setting is ideal when filmmakers want to take full advantage of Canon’s EF and EF Cinema prime lenses to capture that unique and distinct full-frame look–though Canon’s EF Cinema zoom lenses require the Super 35mm Cropping setting, fixed focal length EF Cinema lenses will cover the area of a full-frame sensor.
As a new category of hybrid HDSLR cameras is created, capable of shooting 4K video–the motion picture industry standard–Canon and the EOS-1D C enter previously uncharted territory. Now cinematographers can shoot feature films from inside cars and planes, or documentaries using underwater housings–allowing a whole new perspective to be captured for the big screen.
Cinematic 4K Video
The 1D C can also simultaneously output a time code stamped, uncompressed 8-bit 4:2:2 Full HD signal for off-board recording–Clean HD video via HDMI. While recording in this high quality, however, roughly each minute of recorded content occupies 4GB of storage space. Therefore, a 64GB CF card can record approximately 16 minutes of 4K content so you will likely come to rely on the dual CF card slots as they fill up faster than HD video on previous DSLR cameras.
Full HD Recording
The 1D C’s Super 35mm Cropping setting matches the motion picture industry’s standard imaging format and angle of view when in a commercial or feature film environment. Using this setting will match the depth of field and angle of view used in virtually all digital cinema cameras on the market today (including the Canon EOS C500 and C300).
Note: Canon’s EF Cinema zoom lenses require the Super 35mm Cropping setting, since they do not cover the area of a full-frame D-SLR imaging sensor. Canon’s fixed focal length EF Cinema lenses, however, will cover the area of a full-frame sensor.
18.1Mp Full-Frame CMOS Sensor
A photodiode structure with an increased photoelectric conversion rate increases the sensor’s sensitivity by approximately 2 stops over previous models, meaning higher ISOs with the lowest noise of any EOS digital camera. And a 2-line 16-channel simultaneous signal readout means speeds of up to 12 fps (RAW + JPEG) and even 14 fps (Super High Speed Mode) are possible.
HD Compression Modes: IPB and ALL-I
The “IPB” compression scheme (Interframe, Predicted Frame, and Bidirectional Predicted Frame), allows for good image quality and a significant reduction in overall file size compared to first generation HDSLR cameras such as the 5D Mark II, 7D and 60D. It is well suited for recording long, continuous clips where lots of tight editing and cuts are not as likely to occur in post-production. When using IPB compression, approximately 15 minutes of Full HD recording produces a 4GB file (though continuous recording file sizes are not limited to 4GB in the 1D C).
The second “ALL-I” compression scheme (All Intraframe), processes each individual frame as a complete image, and each frame can be edited with its quality still intact. This is ideal for situations where editors expect to make many precise edits to original video files. However the trade-off with ALL-I is that file sizes will be about 3x larger than those using the IPB method.
Therefore, a 4GB video file (Full HD 1920 x 1080) will contain roughly 4.5 to 5 minutes of video when recorded using the ALL-I compression method. That said, it still produces relatively small files and is the best choice for projects that will be widely distributed in a variety of formats.
Internal Audio Recording and Silent Volume control
Noteworthy on the EOS-1D C is a built-in headphone jack, simplifying greatly the task of monitoring audio during recording or playback. This is especially useful when combined with the silent control feature for adjusting audio levels during actual recording. However it is still recommended that when doing documentary, commercial, television or feature film production that the camera’s audio be used only as a reference to sync with.
14-bit A/D Conversion, Wide Range ISO Setting 100-51200
Dual DIGIC 5+ Image Processors for Enhanced Noise Reduction and Blazing Processing Speed
61-Point High Density Reticular AF
The EOS-1D C has a dedicated AF menu tab, so AF can be controlled without having to go through custom function menus. It also has 6 AF point selection methods (Spot, Single Point, Single + Adjacent 4 Points, Single + Adjacent 8 Points, Zone Selection, and Automatic AF Point Selection), plus a dedicated AF configuration tool for control of AI Servo AF III tracking parameters (tracking sensitivity, acceleration/deceleration tracking, and AF point auto switching).
The EOS-1D C uses the 100,000-pixel RGB Metering Sensor to aid the AF system in Automatic Point Selection. This dramatically increases the tracking performance for subjects that were previously unpredictable to follow, such as fast-moving or flying subjects. EOS iTR (Intelligent Tracking and Recognition) AF recognizes the subject based on face and color detection from the AE system, and tracks it using AF points. The EOS iSA (Intelligent Subject Analysis) System incorporates color recognition and Face Detection for proper exposure. Specific parameters can be adjusted and refined and saved in the AF menu for later use.
Magnesium Alloy Body with Shutter Durability and Dust and Weather-Resistance
Ultrasonic Wave Motion Cleaning (UWMC)
As with previous cameras, the IR/UV absorbing glass in front of the EOS-1D C’s sensor is treated with an anti-dust fluorine coating making it easier to remove damp or sticky dust particles. As part of Canon’s Integrated Cleaning System dust missed by the camera can be identified and removed using the Dust Delete Data feature of Canon’s Digital Professional Pro software, bundled with every EOS digital SLR.
Intelligent Viewfinder with Superimposed LCD
The AF status indicator can even be directed to display within or outside of the viewfinders image area. With the intelligent viewfinder, unlike with other cameras, the photographer has the choice of seeing shooting information or looking only at the scene in front of the camera. The ability to effectively erase all shooting data and turn it back on with the touch of a button gives the photographer the opportunity to concentrate simply on looking and composing the photograph without distraction, a great advantage in numerous shooting situations.
The Canon EF-S 10-18mm f/4.5-5.6 IS STM Lens is a wide-angle zoom lens designed specifically for EOS APS-C DSLRs, where it provides a 35mm-equivalent focal length range of 16-28.8mm. The optical design incorporates one aspherical element, one UD (Ultra-low dispersion) element, and one large-diameter element to minimize chromatic aberrations throughout the zoom range and contribute to notable image sharpness and clarity. Enhanced lens coatings have also been applied to lens elements to minimize lens flare and ghosting for maintained image contrast and color neutrality.
Benefiting working in difficult lighting conditions, an Optical Image Stabilizer has been integrated into the lens design to minimize the appearance of camera shake by up to an effective four shutter speed steps. Pairing well with Canon’s EOS Movie Servo AF, an STM stepping AF motor produces smooth, near-silent focusing performance that is further benefitted by a rear-focus design, high-speed CPU, and intelligent AF algorithms for quickened focusing. Full-time manual focus override can also be utilized for fine-tuned focusing precision as closely as 8.7″.
The Canon EF 16-35mm f/4L IS USM Lens is a wide-angle zoom lens featuring a constant f/4 maximum aperture to provide consistent performance throughout the zoom range. The optical design incorporates three aspherical elements, including one large-diameter aspherical element, as well as two UD (Ultra-low Dispersion) elements to minimize chromatic aberrations and contribute to high edge-to-edge sharpness and resolution. A fluorine coating has also been applied to the front and rear lens surfaces to reduce flare and ghosting for maintained color neutrality and image contrast.
Benefitting working in difficult lighting conditions, an Optical Image Stabilizer has been integrated into the lens design to minimize the appearance of camera shake by up to an effective four shutter speed steps. For fast, smooth, and near-silent autofocus performance, a ring-type USM (Ultrasonic Motor) AF motor is employed and benefits from an internal focusing design to maintain the overall length of the lens during use. Full-time manual focus override can also be utilized for fine-tuned focusing precision as closely as 11″ throughout the zoom range.
When paired with an optional Protect filter, this lens also exhibits a dust- and water-resistant construction to enable its use in inclement conditions.