- For Micro Four Thirds Cameras
- Equivalent to 28-300mm in 35mm Format
- Dust and Splashproof
- ZERO Lens Coating
- ED (Extra-Low Dispersion) Glass Elements
- 58mm Filter Size
The Olympus M.Zuiko ED 14-150mm f/4.0-5.6 II Zoom Lens is a wide to telephoto zoom with a 28-300mm 35mm equivalent, allowing you to shoot in a wide variety of situations. This lens improves upon the previous version by adding dust and splash-proof housing and ZERO (Zuiko Extra-Low Reflective Optical) coating.
The construction incorporates a DSA lens, an aspherical ED lens, and ED lens, and three HR lenses. An LH-61 lens hood is included for added protection and to help reduce lens flare.
- 36.4MP Full-Frame CMOS Sensor
- PRIME IV Image Processor
- 3.2″ Cross-Tilt LCD Monitor
- Full HD 1080p30 Video Recording
- SAFOX 12 33-Point AF Sensor
- Native ISO 204800; 4.5 fps Shooting
- 5-Axis In-Body Shake Reduction
- Super Resolution & AstroTracer Modes
- Built-In Wi-Fi & GPS; Dual SD Card Slots
- Weather-Sealed Magnesium Alloy Body
Sporting Pentax‘s first full-frame digital image sensor, the K-1 DSLR Camera is a landmark release for the respected company, and makes sure to deliver on multiple fronts. Packing in a 36.4MP full-frame CMOS sensor and the advanced PRIME IV image processing engine, the K-mount camera will be able to capture detailed images with low noise at sensitivities up to an impressive 204800 ISO. Ensuring the sharpest possible images, the K-1’s image sensor omits the anti-aliasing, or optical low-pass, filter, relying on an AA Filter Simulator function to reduce moire when needed. Additionally, the camera has a built-in 5-axis Shake Reduction system rated for up to 5 stops of compensation.
Ensuring speedy capture, the K-1 features a widened SAFOX 12 AF sensor that is optimized for the full-frame image area. It is equipped with 33 AF points, 25 of which are cross-type, and three f/2.8 luminance sensors as well as the ability to operate in low light down to -3 EV. Users can capture images at up to 4.5 fps and thanks to a fully weather- and dust-resistant magnesium alloy body will not be worried if the weather quickly changes. Along with this, the K-1 has a unique 3.2″ cross-tilt LCD monitor, which can tilt upward 90°, down 44°, and left and right 35° for numerous positions. Additionally, dual SD card slots are available for backup or additional storage when needed.
In addition to stills, the K-1 is able to record Full HD 1080p video at up to 30 fps in either full-frame or APS-C crop modes as well as bolster audio quality by using the headphone and mic jacks. It also has advanced functions enabled by the Shake Reduction system, including a Super Resolution mode that composites multiple images together for maximum sharpness and resolution and an AstroTracer function that combines with the built-in GPS to minimize star trails during long exposures. The K-1 also has built-in Wi-Fi connectivity for image transfer and remote camera control.
36.4MP Full-Frame CMOS Sensor & PRIME IV Image Processor
The first full-frame DSLR from Pentax, the K-1 delivers high-quality imagery through an advanced 36.4MP CMOS sensor that is designed to create detailed images with minimal noise. Guaranteeing maximum resolution, the sensor lacks an anti-aliasing, or optical low-pass, filter though this will cause a higher chance of aliasing and moire. For situations at risk of these artifacts users can leverage an AA Filter Simulator function which slightly moves the sensor in order to mimic the effects of a physical filter.
This sensor combines with the power of the PRIME IV 14-bit image processing engine to create large images with ease and speed. Improving upon the past generation by about 150%, the PRIME IV can deliver photographs at up to 4.5 fps in raw format at sensitivities ranging up to ISO 204800. This processor also helps control numerous advanced features, including Pixel Shift Resolution, AstroTracer, and more.
5-Axis In-Body Shake Reduction
A staple of Pentax DSLRs, the K-1 is equipped with a 5-axis Shake Reduction system that can counter the effects of camera shake by up to 5 stops. This larger system is optimized for the full-frame sensor and can account for yaw, pitch, and roll as well as vertical and horizontal motion of the camera. Also, due to the stabilization being incorporated into the K-1’s body, it functions with every K-mount lens.
Pentax takes advantage of the sensor’s available movement in order to develop additional features, such as the Pixel Shift Resolution setting. This mode shifts the sensor in order to capture full color data on each pixel by compositing four shots. This grants exceptional clarity, lowers noise, and boosts the effective resolution to 42MP. Additionally, the K-1 has a motion correction setting that allows this function to be used even when shooting handheld.
Another capability is an Image Composition Assist function, which allows you to shift the sensor up/down and left/right as well as slightly rotate it. This lets users easily adjust their composition without needing to move their camera and can be useful for delicately balanced tripod work.
SAFOX 12 AF System
With coverage widened by about 1.2x, the latest SAFOX 12 AF system is optimized for the full-frame image sensor. It has a total of 33 AF points, of which 25 are cross-type, and three f/2.8 luminance sensors to maximize performance in all lighting conditions. The system can operate down to -3 EV using the 25 center sensor and will benefit dark scenes as well as extreme backlighting. Users will also have access to zone select and expanded area AF modes.
Full HD 1080p Video Recording
In addition to standard stills capture, the K-1 is capable of Full HD video at up to 30p or 60i using H.264 compression. This enables photographers to add high-resolution motion capture to their arsenal without needing to carry another camera. Also, when shooting in HD 720p, users can shoot at up to 60p. Additionally, the camera is NTSC/PAL switchable and it is equipped with headphone and microphone jacks for high-quality audio support.
Weather- and Dust-Resistant Body with Cross-Tilt LCD
Durability has always been one of Pentax’s strong suits, and the K-1 is no exception with a stainless steel chassis covered in a magnesium alloy shell that is tough and lightweight. Also, the K-1 is sealed in 87 places to ensure no rain or dust will take your camera out of commission. The camera is designed to handle freezing temperatures as well, with a rating down to 14°F. This durability is maintained when the optional battery grip is in use, as the grip is also sealed in 47 places.
The K-1 is equipped with two SDXC card slots. These can be configured for backup, splitting storage of JPEGs and raw files, or overflow when card 1 is filled. Also on the body users will find a variety of dials and buttons that will allow for quick and intuitive adjustment of settings. Along with this there are LED-illuminated body points on the lens mount, card slots, the backside of the LCD, and at the cable switch terminal that will help you operate the camera in low light.
One unique feature of the K-1’s design is the use of a 3.2″ Cross-Tilt LCD. This ensures the screen remains aligned with the optical center of the camera while allowing for tilt 44° down and 90° upward as well as 35° left and right. The camera also has settings for quickly adjusting the brightness of the display to account for a variety of shooting environments.
GPS, Compass, and AstroTracer
With built-in GPS, shooters can automatically track their movement and position as they work with data automatically written to the image file. It can record location, facing direction, and Coordinated Universal Time while also enabling using a digital compass feature. Along with this, it can work with the Shake Reduction mechanism to activate the AstroTracer function. This system obtains location data and camera position to calculate movement of stars in the sky. The sensor is then synced with the movement in order to minimize the capture of star trails with long exposures.
Other Camera Features
- Real-time Scene Analysis system has been upgraded to look at exposure, color, faces, movement, and more in order to automatically select the proper exposure settings for optimal image capture.
- Built-in Wi-Fi connectivity allows users to directly connect to the camera using a mobile device for image transfer and remote camera control.
- Record images in DNG raw, Pentax raw, or JPEG with selectable quality and resolutions.
- APS-C crop mode will allow full compatibility with existing APS-C format lenses.
- Aperture and shutter speed priority mode (TAv) allows you to manually select aperture and shutter speed while leaving ISO selection to the camera.
- Optional adapter enables users to mount 645 series medium-format lenses to the K-1.
- Diffraction Correction function will account for diffraction at small apertures and improve image sharpness.
- Focus peaking in video mode will assist with manual focusing.
- 20.9MP DX-Format CMOS Sensor
- EXPEED 5 Image Processor
- 3.2″ 2,539k-Dot Tilting Touchscreen LCD
- 4K UHD Video Recording at 30 fps
- Multi-CAM 20K 153-Point AF System
- Native ISO 51200, Extend to ISO 1640000
- 10 fps Shooting for Up to 200 Frames
- Built-In Wi-Fi, Bluetooth and NFC
- 180k-Pixel RGB Sensor and Group Area AF
- In-Camera Time Lapse, Up to 9999 Frames
As the flagship model within Nikon’s DX-format DSLR line, the D500 is characterized by its robust physical construction, apt imaging capabilities, and of course, a more compact, sleek form factor than its FX brethren. Revolving around a 20.9MP CMOS sensor and EXPEED 5 image processor, this camera appeals to both still and video shooters with its fast 10 fps continuous shooting rate and 4K UHD video recording abilities. The sensor and processor also combine to avail a native sensitivity range up to ISO 51200, which can be further expanded to ISO 1640000 for working in dark and difficult lighting conditions. Benefitting the fast shooting performance, the D500 is also characterized by its expansive Multi-CAM 20K 153-point AF system, which features 99 cross-type points for fast performance and accurate subject tracking capabilities. While sleek in stature, the D500 is by no means slim on functionality and versatility.
Besides the imaging assets, this advanced DSLR also features an impressive handling design that incorporates a 3.2″, 2.36m-dot, tilting LCD touchscreen, which affords a comfortable means for working from high and low angles. An updated version of SnapBridge is also featured, which provides Wi-Fi connectivity with NFC, as well as Bluetooth Low Energy technology for linking your mobile device for wireless image sharing. In addition to the convenience features, the D500 is housed within a durable magnesium alloy chassis that is both dust- and weather-sealed for working in inclement conditions and harsh environments.
20.9MP DX-Format CMOS Sensor and EXPEED 5 Image Processor
The DX-format 20.9MP CMOS sensor is paired with the EXPEED 5 image processor to provide an esteemed mixture of high sensitivity, nuanced image quality, and fast overall performance. At native values, a sensitivity range from ISO 100-51200 permits working in a broad array of lighting conditions, an can be further expanded to ISO 50-1640000 (Lo 1 to Hi 5) to handle the most challenging of situations. The mixture of resolution and sensor size also contributes to clean image quality and smooth color transitions with reduced noise throughout the sensitivity range.
In addition to benefitting image quality, the EXPEED 5 processor also affords a wealth of speed throughout the camera system, including a top continuous shooting rate of 10 fps with full-time autofocus and exposure metering. Up to 200 frames can be recorded in a single burst, even when shooting 14-bit lossless compressed NEF files. Additionally, slower continuous shooting rates are available as well as a Quiet Continuous Mode for shooting 3 fps in noise-sensitivity areas.
4K UHD Video Recording
Capable of recording more than just stills, the D500 supports 4K UHD video recording at 30, 25, and 24 fps frame rates and Full HD/HD recording at up to 60 fps, along with the ability to save movie files to the in-camera memory cards or as an uncompressed file to an optional external recorder via HDMI out. For maintained quality and versatility in how your movies look, three image area options are available:
- 4K UHD movie image format is an area that provides a 1.5x increase in the effective focal length of the lens in use and is reserved for 4K 3840 x 2160 recording.
- 1.3x-based movie image area provides a 1.3x crop of the DX sensor, and is used for recording FULL HD and HD video.
- DX-based movie image format utilizes the full width of the DX-format sensor, and is used to record Full HD 1920 x 1080 and HD 1280 x 720 video. This setting is well-suited for shallow depth of field effects and provides the widest field of view.
As with still shooting, the wide range of sensitivities is available for recording in low- and bright-light conditions, ranging from expanded ISO 100-1640000, and sensitivity values are manually adjustable via the dedicated movie-shooting menu. Also, a video-optimized Flat Picture Control mode can be used during recording to flatten the overall contrast curve for more control during post-production and color grading.
Benefitting handheld shooting, an Electronic Vibration Reduction feature can be used during Full HD and HD recording, which minimizes the appearance of camera shake across three axes to control horizontal, vertical, and rotational movements. Additionally, Active D-Lighting can also be employed during Full HD/HD shooting to preserve highlight and shadow detail when working in high-contrast situations.
In regard to handling, a dedicated power aperture button (Pv) makes it possible to achieve smooth, continuous exposure transitions when switching from light to dark areas and Auto ISO can also be used to maintain consistent brightness when working in changing light situations. Audio recording can be handled using the built-in stereo microphone or an optional external mic can be added via the 3.5mm stereo jack for greater control over quality. Regardless if using the in-camera mic or an external mic, audio levels can be adjusted in 20 increments and live monitoring is possible via the headphone jack, which afford 30 different volume levels for playback.
In addition to straight movie recording, time-lapse recording, for up to 9999 consecutive frames shot over the course of up to one week, is also possible with up to 4K UHD/30p output from the camera.
153-Point Multi-CAM 20K Autofocus System
Matching the speed and imaging capabilities is the apt Multi-CAM 20K AF system, which features 153 total phase-detection points, including 99 cross-type sensors for improved subject recognition, and 55 of the points are selectable for greater compositional freedom. Benefitting the use of super telephoto lenses and teleconverters, 15 of the points, including 9 selectable points, are compatible with an effective aperture of f/8 and all 153 points support working with effective apertures of f/5.6 or brighter.
Complementing the abundance of focusing points is a dedicated AF engine, which offers quick response times to benefit tracking fast and randomly moving subjects, even at the top 10 fps shooting rate. The AF engine also contributes to enhanced focusing sensitivity, with all points capable of focusing -3 EV and the center point capable of reading at -4 EV for working in very dark, low-contrast situations.
Furthering the versatility of the focusing system, seven different AF-area modes can be selected to support varying types of subjects matter:
- Single-Point AF: The camera uses a single point to find focus.
- Dynamic-Area AF: Available with 25, 72, or 153-point selections, this mode uses a primary single focus point to lock onto focus, and then makes use of the surrounding points for maintaining focus while tracking erratically-moving subjects.
- Group-Area AF: This mode treats smaller groups of AF points as a single point for a wider field of recognition, and is well-suited to tracking faces or other detailed subjects.
- 3D-Tracking: Using a subject’s color information, this mode utilizes all 153 points to maintain focus on a moving subject while half-pressing the shutter button.
- Auto-Area AF: This mode makes use of all 153 points to quickly identify the main subject, and then prioritizes recognized faces as portrait subjects in any AF servo mode.
In addition to the range of AF-area modes, an AF lock-on function can also be used to improve subject tracking performance, and can be adjusted by two parameters-quick or delayed blacked shot AF response and erratic or steady subject movement. By configuring these settings, the AF performance can be optimized to handle a wide variety of subject movement types.
Lastly, a unique auto AF fine-tune function can be employed to ensure the best possible focus for each mounted lens. Rather than relying on photographing distance charts, this function lets you achieve precise focus manually in live view, and then have the AF system calibrate itself to the fine-tuned focus position in order to alleviate front- and back-focusing issues.
- A large 3.2″ rear LCD monitor features a high 2,359k-dot resolution for clear, vivid playback and live view shooting. The monitor is also a touchscreen for more intuitive menu navigation and settings control, and is usable while shooting, giving you the ability to choose a focus point or an area to set the white balance from. The screen can also be used as a keyboard for quickly entering notes, copyright info, or IPTC information. Additionally, it features a tilting design for easier visibility when shooting from high and low working angles.
- A bright pentaprism optical viewfinder offers 100% frame coverage and a 1.0x magnification, and incorporates an organic EL display system to provide shooting information for seamless adjustment over camera settings without removing your eye from the viewfinder. Additionally, the optical glass features enhanced coatings for increased brightness, contrast, and color neutrality for more lifelike viewing.
- Extending file saving capabilities by permitting overflow recording, in-camera file duplicating, or the ability to segregate raw and JPEG files between two cards, the D500 is configured with both SD and XQD memory card slots.
- A robust magnesium alloy chassis is both dust- and weather-resistant to benefit working in harsh climates and inclement conditions.
- The ergonomic grip and overall form factor are shaped to benefit handling for extended periods of time and are further accentuated by anti-slip, textured controls and easy-to-open card slot covers. Additionally, most of the rear buttons on the rear of the camera are illuminated for greater visibility when working in dim lighting conditions. Two configurable Fn buttons, one front-facing and the other rear-facing, may be assigned for checking depth of field or used for other shooting controls.
- The included EN-EL15 rechargeable lithium-ion battery is CIPA-rated to last for approximately 1240 shots per charge in single-frame release modes. The optional MB-D17 Multi-Power Battery Pack can also be added to further extend shooting times.
SnapBridge Wi-Fi Connectivity
Supporting a wealth of sharing and tagging possibilities, the D500 features built-in SnapBridge Wi-Fi connectivity to enable seamless transfer of imagery as well as remote shooting capabilities. BLE – Bluetooth Low Energy technology enables communication between the camera and a smart device. Additionally, the mobile device can remotely trigger the shutter and display a live view image from the camera to enable working from a distance. NFC (Near Field Communication) is also supported to provide a quick and simple tap-to-connect method for linking your mobile devices with the camera.
For faster wireless performance, the D500 is also compatible with the optional WT-7A Wireless Transmitter enabling transmission of image files via FTP server or computer at speeds of up to 866.7 Mbps.
Scene Recognition System and Exposure Metering
The intelligent Scene Recognition System with 3D Color Matrix Metering III utilizes a 180k-pixel RGB sensor to evaluate and analyze all aspects within a scene, including brightness, contrast, subject distance, and the scene colors, to quickly determine an accurate exposure and white balance setting to best render the scene at hand. The information gathered is also checked against onboard reference images to ensure consistency from image to image in regard to exposure, white balance, i-TTL flash settings, and subject-tracking AF performance.
Other Camera Features
- Three types of auto white balance are available: Auto 0, which maintains natural white values under any lighting condition; Auto 1, which maintains a balances of color between the subject and ambient light conditions; and Auto 2, which renders colors with a natural warmth and retains the colors of various types of lighting.
- In-camera flicker reduction is available for both stills shooting and movie recording.
- Three different sizes of raw files can be used depending on your output needs; raw size medium and small are 12-bit lossless compressed NEF files while the large file size is a 14-bit lossless uncompressed or compressed NEF file.
- Spot White Balance control for live view shooting makes setting the white balance as easy as pointing to the area in the frame that should be white. Additionally, 1-6 preset white balance settings can be stored for easier switching between different light sources.
- The D500 is compatible with the radio-controlled Advanced Wireless Lighting system, which permits working with the optional WR-R10 Controller and WR-A10 Receiver, along with the SB-5000, for intuitive, controllable wireless flash shooting.
- Picture Control modes allow you to set predefined looks to imagery in-camera and include Landscape, Monochrome, Neutral, Portrait, Standard, Vivid, Flat, and user-customizable settings.
- Sony E Mount/APS-C Format and Micro Four Thirds
- 45mm (35mm Equivalent)
- Aperture Range: f/1.4 to f/16
- Three Aspherical Surfaces
- One High-Refractive Index Element
- Super Multi-Layer Coating
- Stepping AF Motor
- Rounded 9-Blade Diaphragm
- TSC Construction, Brass Bayonet Mount
A fast, versatile prime, this Sigma 30mm f/1.4 DC DN Contemporary Lens is designed for APS-C-format Sony E-mount and Micro Four Thirds mirrorless cameras, where it provides a 45mm equivalent focal length. The bright f/1.4 maximum aperture benefits working in low-light conditions and also affords extensive control over focus placement for using selective focus techniques. In regard to the optical design, one aspherical element and one double-sided aspherical element pair to significantly reduce spherical aberrations for increased clarity and definition for notably sharp image quality. A high-refractive index element is also featured, to minimize color fringing and chromatic aberrations, and a Super Multi-Layer Coating has been applied to control lens flare and ghosting in strong lighting conditions. Additionally, benefitting both stills shooting and video recording, this compact prime also incorporates a stepping AF motor or smooth, near-silent autofocus performance. Designed as a versatile standard lens, the mixture of speed and optical prowess make this a go-to lens for mirrorless shooters.
- A truly versatile standard prime, this 30mm lens is designed for APS-C-format Sony E-mount mirrorless cameras where it provides a 45mm equivalent focal length.
- A truly versatile slightly-longer-than-normal prime, this 30mm lens is designed for Micro Four Thirds mirrorless cameras where it provides a 60mm equivalent focal length.
- Fast f/1.4 maximum aperture excels in low-light conditions and also affords greater focus control for producing shallow depth of field effects.
- One aspherical element and one double-sided aspherical element control a range of spherical aberrations and distortions for increased sharpness and resolution. Additionally, a high-refractive index, high-dispersion glass element is also integrated into the design, and offers anomalous partial dispersion characteristics to control chromatic aberrations and reduce color fringing.
- A Super Multi-Layer Coating has been applied to lens elements in order to minimize lens flare and ghosting and contribute to producing contrast-rich and color-neutral imagery, even in backlit conditions.
- A stepping AF motor benefits both photographers and videographers with its fast, precise, and near-silent performance.
A rounded nine-blade diaphragm contributes to a pleasing bokeh quality.
- The lens is constructed using a Thermally Stable Composite (TSC) material, along with traditional metals, for greater precision and use in wide temperature variations. The outside of the lens barrel is also engraved with the year of production.
- The bayonet mount is constructed from brass for ensured accuracy and durability.
- Full-Frame Format
- Aperture Range: f/2.8 to f/32
- One LD and Two XLD Glass Elements
- eBAND, BBAR, and Fluorine Coatings
- USD AF Motor, Full-Time Manual Focus
- VC Image Stabilization
- 1:1 Max. Magnification, 11.8″ Min. Focus
- Rounded 9-Blade Diaphragm
- Moisture-Resistant Construction
- Compatible with TAP-in Console
Optimized for close-up shooting, the SP 90mm f/2.8 Di Macro 1:1 VC USD Lens from Tamron is a short telephoto prime designed for full-frame DSLRs. Offering a life-size maximum magnification ratio of 1:1, this lens benefits working with small and nearby subjects and employs a Floating System for maintained image quality throughout the 11.8″ to infinity focusing range. One Low Dispersion and two Extra Low Dispersion glass elements are incorporated into the optical design to minimize chromatic aberrations and color fringing for clean, consistent sharpness and clarity throughout the magnification range. BBAR and eBAND coatings have also been applied to minimize flare and ghosting for increased contrast when working in strong lighting conditions, and a rounded nine-blade diaphragm contributes to a pleasing bokeh quality to benefit shallow depth of field imagery. As an update to the classic 90mm macro, this enhanced version is well-suited to the high-resolution crop of DSLRs and blends timeless appeal and functionality with current imaging performance.
Supporting the imaging attributes is Vibration Compensation image stabilization, which minimizes the appearance of camera shake by up to 3.5 stops for sharper handheld shooting. Also aiding in creating sharp imagery, a precise, macro-optimized ring-type USD autofocus motor provides fast and well-controlled focusing performance. A dedicated USD actuator is used to refine focusing precision at close distances and also compensates for small amounts of camera shake common to working at higher magnifications. Additionally, the focus motor affords full-time manual focus control for a greater range of adjustment capabilities. A moisture-resistant physical construction enables its use in trying environments and the front element has also received a fluorine coating to guard against smudges and moisture from affecting image quality. Additionally, this lens is compatible with the optional TAP-in Console for fine-tuning focusing performance and updating the lens’ firmware.
- A short-telephoto focal length optimized for macro shooting, this 90mm lens is designed for full-frame Canon EF-mount DSLRs, and is also compatible with APS-C models where it will provide a 144mm equivalent focal length.
- Bright f/2.8 maximum aperture offers a clean viewfinder image and is also beneficial for working in low-light conditions and for isolating focus.
- One LD (Low Dispersion) and two XLD (Extra Low Dispersion) glass elements are incorporated in the 14 elements, 11 groups optical design, and contribute to a marked reduction in chromatic aberrations and color fringing throughout the aperture and focusing ranges.
- Designed as a true macro lens, this optic affords a life-size 1:1 maximum magnification ratio along with an 11.8″ minimum focusing distance to suit working with close-up subjects, and a Floating System is employed for consistent image quality and sharpness throughout the focusing range.
- eBAND (Extended Bandwidth & Angular-Dependency) and BBAR (Broad-Band Anti-Reflection) coatings have been applied to lens elements to reduce surface reflections and prevent lens flare and ghosting for increased contrast and color accuracy.
- VC (Vibration Compensation) image stabilization is incorporated into the lens’ design to minimize the appearance of camera shake by up to 3.5 stops for sharper handheld shooting in low-light conditions. An accelerometer has also been added to the VC system to compensate for shift-type camera shakes along the X/Y plane, and a gyro sensor is used to accurately detect and enable motion compensation throughout the focusing range.
- Ring-type USD (Ultrasonic Silent Drive) motor and an optimized USD actuator are employed for fast, precise, and quiet autofocus performance that benefits both stills and video recording. This motor also enables full-time manual focus control without having to shift into a dedicated MF mode.
- An internal focusing mechanism is also used to maintain the overall lens length during use, along with a comfortable working distance of approximately 5.5″.
- A Focus Limiter Switch is used to constrain the lens’ focusing range for faster performance. A choice of 1.6′-infinity, 11.8″-1.6′, and 11.8″-infinity ranges are available.
- Moisture-resistant construction incorporates seals around the lens mount and other areas to benefit working in inclement conditions. Additionally, a fluorine coating has been applied to the front lens element to repel water, fingerprints, and smudges for easier cleaning of the lens surface.
- Rounded nine-blade diaphragm produces a pleasing out-of-focus quality when working with shallow depth of field techniques.
- Compatible with the optional TAP-in Console for updating the lens’ firmware as well as adjusting focus settings via the TAP-in Utility software.
- SILKYPIX Developer Studio for Tamron software is included with the lens, which, aside from enabling basic raw processing and image adjustments, works to specifically correct for various aberrations, including color fringing, distortion, and peripheral light fall-off, using dedicated optical data from Tamron’s SP-series of lenses.