Nikon D3300 and more


Nikon D3300

Nikon D3300

 

  • 24.2 Mp DX-Format CMOS Sensor
  • EXPEED 4 Image Processor
  • No Optical Low-Pass Filter
  • 3.0″ 921k-Dot LCD Monitor
  • Full HD 1080p Video Recording
  • 11-Point Multi-CAM 1000 AF Sensor
  • Expandable ISO 25600 and 5 fps Shooting
  • Easy Panorama Mode and Guide Mode
  • Compatible with WU-1a Wireless Adapter

The Nikon D3300 DSLR Camera is a digital SLR body that allows you to shoot those special and amazing moments in stunning high quality when teamed with one of Nikon’s large range of compatible lenses.

Unforgettable memories, unforgettable photos

Small and lightweight, there’s nothing insubstantial about 24.2 megapixels of superb resolution. A large 23.5 x 15.6 mm CMOS sensor displays remarkable light sensitivity, rendering details with amazing sharpness and performing well in low light with an ISO range of 100 to 12800 (extendable to 25600 equivalent).

Your images will be packed with fine textures and naturalistic colours to really capture the atmosphere of whichever situation you find yourself in, thanks to the camera’s freedom from an optical low-pass filter (OLPF).

Capture clear, colourful photographs in all manner of lighting conditions as the camera’s EXPEED 4 image processor goes to work, delivering gorgeous photos every time. This fast and powerful image tool allows the camera to work at high speeds and sports enhanced noise reduction capabilities.

Advanced focusing mechanism

The Nikon D3300 DSLR is equipped with a razor-sharp 11-point AF system, so even if you’re shooting quickly or erratically-moving subjects, the camera keeps everything in focus. A cross-type sensor in the centre quickly locks onto your subject and maintains great focus for better action shots.

With 5 fps continuous shooting abilities, the camera also lets you capture passing moments or expressions almost as they occur, so you can shoot more unique and expressive photos of animals, kids, friends or whatever you choose.

Creativity unleashed

Expand the horizons of what you want to accomplish with your photography when you shoot with the Nikon D3300. Its Guide Mode uses sample images and uncomplicated step-by-step instructions to show just how you can capture fantastic movies and photos.

Use Nikon’s optional Wireless Mobile Adapter to easily upload your shots to favourite sites via smart device when you want to share your work.

There are also 13 different photo effects for you to choose from so you can easily add an artistic touch to both photos and movies you’ve shot. Choose Effect Mode and select the option you want to apply before clicking the shutter.

Pop brightens colours, while Easy Panorama makes it a snap to capture spectacular vistas. Toy Camera lends a cool retro effect to your images, and there are many more options available to make your photos look that much more special.

Let’s go to the movies

You’ll be able to shoot Full HD 1920 x 1080p movies with your Nikon D3300. The D-Movie function allows you to capture video footage you’ll be proud to share with the world. Shoot in almost any light at frame rates up to 50p/60p to capture your moments with spine-tingling ambience.

Continuous autofocus is available in movie mode, so even fast-moving action is smoothly captured with outstanding sharpness and clarity.

View your photos

The clear viewfinder gives you a more traditional and accurate photographic view that allows you to grab perfectly-timed images.

There’s also a large 3” colour LCD screen provided on the Nikon D3300 SLR that makes it so easy to shoot the best parts of a scene and monitor fast-moving subjects more effectively. View your work immediately to make sure you’ve got the frames you’re after, and apply special effects without a hitch.

Easy camera operation

The D3300 offers dedicated one-touch buttons that allow you to access D-Movie and Live View modes. Located on the back of the camera, they let you bypass the main camera menu to swiftly adjust settings while you shoot.

When you’re shooting using the viewfinder, you’ll have the option of choosing a classic interface or graphic interface that animates settings. The former gives you simplicity once you’re assured of what you’re doing, while the latter makes it easier to follow which camera elements you’re controlling.

The DSLR body weighs just 410 g, so it’s easier to carry than previous models. The grip remains large and comfortable so that you can keep the camera steady as you perfectly capture those important moments.

    


Nikon D810

Nikon D810

  • 36.3MP FX-Format CMOS Sensor
  • No Optical Low Pass Filter
  • EXPEED 4 Image Processor
  • 3.2″ 1,229k-Dot LCD Monitor
  • Full HD 1080p Video at 60/30/24 fps
  • Continuous Shooting to 5 fps in FX Mode
  • Expandable Sensitivity to ISO 51200
  • Multi-CAM 3500FX AF Sensor w/ 51 Points
  • Electronic Front Curtain Shutter
  • External Mic and Headphone Inputs

The Nikon D810 DSLR Camera takes its place as the high resolution option in the Nikon DSLR lineup. It features a 36.3MP FX-format CMOS sensor without an Optical Low Pass Filter for particularly sharp and detailed still imaging. With the addition of the EXPEED 4 Image Processor, performance speed is increased compared to the EXPEED 3 and noise is effectively reduced throughout the ISO range. Continuous shooting speed in FX format is 5 fps and in DX format hits a maximum of 7 fps. In addition, the full HD video capabilities of the D810 have been upgraded to include 1080p capture at 24, 30 and 60 fps. Also, the improved efficiency of the processor enables up to 1200 shots on one battery charge and 40 minutes of video recording. Low light performance has been upgraded thanks to a wide native ISO sensitivity range that runs from 64 to 12,800 and can be expanded from 32 to 51,200.

The advanced Multi-CAM 3500FX autofocus sensor offers 51 AF points with 15 cross-type sensors and Group Area AF enables five AF sensors to be used as one group. This is useful when shooting subjects that cannot be tracked easily by one AF point due to lighting conditions.

As a camera optimized for video capture, the D810 features recording in both FX and DX formats including simultaneous recording to memory cards and an external recorder as well as recording 60p output to an external recorder. The ISO range for video has also been expanded to run from ISO 64 to 12,800 and expand to 51,200. Automatic ISO adjustment in manual mode enables smooth exposure transitions. A built-in stereo microphone is supported as are jacks for an external mic and headphones. A selectable audio frequency range provides exacting control over sound recording.

A 3.2″ LCD with 1,229K-dot resolution provides playback viewing and live view, and improved coatings on the optical viewfinder components provide brighter images and more accurate colors. Live View function now includes split screen display zoom for stills, and zebra highlighting display in video mode. Full aperture metering during live view for still shooting is supported.

Interval and time-lapse shooting feature exposure smoothing, and the maximum number of images per sequence is now 9,999. Improved Picture Control settings now offer Flat Picture Control to enable maximum dynamic range and color adjustments in post-production.

The D810 utilizes dual media slots for both Compact Flash and SD cards, and it provides a built-in flash with i-TTL metering as well as a hot shoe mount. A larger grip enables comfortable control for extended shooting, and a secondary “i” button has been added to back panel for faster access to important settings.

36.3MP FX-Format CMOS Sensor without an Optical Low Pass Filter
Nikon’s highest resolution sensor is housed in the D810, and by omitting the Optical Low Pass Filter, the sensor provides superior sharpness and detail. The sensor boasts fast channel readout, wide dynamic range, rich tones and improved imaging at high sensitivities.

EXPEED 4 Image Processor
The EXPEED 4 processor provides 30% faster performance over the EXPEED 3 as well improved low noise imaging throughout the ISO range. Support for 1080p video capture at 60 fps is featured and the processor’s increased efficiency enables up to 1200 still shots and 40 minutes of video recording per charge.

Native ISO Range of 64 to 12,800
The improved ISO range compared to the D800 enables more effective low light imaging, and the ISO can be expanded from 32 to 51,200.

Advanced Multi-CAM 3500FX Auto Focus Sensor
Versatile AF Modes of 9, 21, and 51 points and 3D tracking enable fast, precise auto focus control. AF sensitivity down to -2 EV is effective in low light and 15 cross-type sensors are compatible with AF NIKKOR lenses with open aperture of f/5.6 or faster. Eleven central focus points work with an open aperture of f/8. Improvements include upgraded ‘lock-on’, expanded ‘store by orientation,’ and more options for AF mode restrictions.

Group Area AF
Group Area AF enhances subject detection and tracking in challenging lighting conditions or when shooting comparatively small subjects against a high-contrast background by grouping and monitoring 5 individual AF points. The 5-point AF area can be shifted across the 51-point array as your composition changes.

RAW Size S
Accelerate your workflow with Nikon’s RAW Size S file format which delivers 12-bit uncompressed Nikon NEF files that enable faster image transfer and smoother post-production.

Continuous Shooting
In FX mode, the D810 can shoot up to 5 fps, and in DX mode it can capture up to 7 fps when utilizing the MB-D12 battery grip with AA batteries.

Reduced Vibration for Sharper Imaging
The D810′s shutter/mirror box architecture and electronic front-curtain feature improve overall image clarity. The shutter/mirror mechanism reduces image shake for a steady viewfinder image with minimal blackout during high-speed shooting. When activated, the electronic front-curtain shutter reduces the risk of blur in even subtle details by minimizing internal vibrations during exposure.

Quiet Continuous Mode
A redesigned Sequencer/Balancer Mechanism enables Quiet Continuous Mode for near silent sequential shooting.

Picture Control
In addition to standard, neutral, vivid, monochrome, portrait and landscape, image control options have been expanded to include Flat Picture Control which is geared for shooting in RAW modes and for video capture when adjustments will be made in post-production. Also, a clarity option has been added to all Picture Control settings and better control over Picture Control is enabled by fine 0.25 steps.

Full HD 1080p Video Capture in 60/30/24 fps
Video recording is supported in both FX and DX formats with an ISO range from 64 to 12,800 and expandable to 51, 200. Simultaneous recording to memory cards and to an external recorder is now supported. Auto ISO adjustment is possible in manual mode for smooth exposure transitions. Nikon’s 3D noise reduction reduces random noise, distortion, and flicker when filming at high sensitivities. Zebra mode on the camera monitor shows you exactly where highlights are. A built-in stereo microphone as well as jacks for external microphone and headphones are provided. You can fine-tune audio levels in isolation both before and during recording and select the sound range (wide/voice).

3.2″ LCD Monitor with 1,229k-dot Resolution
A high resolution LCD provides detailed playback viewing and live view capture with color balance and brightness control. A split screen display zoom for still shooting lets you compare two enlarged points in the image for sharpness and exposure.

Optical Viewfinder
Improved coatings on the optical components render brighter and more accurate color, and the Organic EL information display makes it easier to make adjustments under bright/dim conditions.

Interval Timer/Time-Lapse Shooting
Exposure smoothing is supported in time-lapse and interval shooting modes and the number of recordable images has been increased to 9,999.

Flash
Both a built-in flash and hot shoe mount are supported with i-TTL metering, as is a flash sync terminal. The built-in flash offers commander mode for wireless control of up to two groups of off-camera flash units.

CF and SD Card Slots
Two card slots are supported for versatile image storage and smoother workflow. One CF card slot for high-speed UDMA 7 cards, and one SD card slot for high-speed, high-capacity SDXC and UHS-I cards allow you to use one card as back-up or place still images on one card and video on the other or RAW on one and JPEG on the other.

Form Factor
A deeper hand grip improves handling, and a secondary “i” button has been added for easier access to important settings. A durable magnesium alloy body with extensive weather and dust sealing ensure the D810 is moisture- and dust-resistant.

 

    

Canon EOS-1D C

Canon EOS-1D C

  • 18.1Mp CMOS Sensor
  • 4K Cinematic Quality Video
  • 1920 x 1080 Full HD Video
  • Dual DIGIC 5+ Image Processors
  • 3.2″ LCD Screen
  • Eye-Level Pentaprism Viewfinder
  • Dual CF Card Recording Media
  • Canon EF Lens Mount
  • Magnesium Alloy Body
  • 61-Point High Density Auto Focus

 

Designed specifically for the unique demands of the motion picture industry, the EOS-1D C Camera from Canon is a breakthrough in hybrid HDSLR technology–able to record stills, 4K and Full HD video, to either two on-board CF cards or uncompressed Full HD to outboard recorders.

One of the largest benefits of having 4K video technology in a DSLR body is that it will be able to go places that other larger 4K cameras cannot, providing new ways of composing and capturing scenes. It is also compatible with the entire fleet of Canon EOS lenses already available, and perhaps already in your arsenal. If you’re looking for a powerful yet versatile rig that knows what a cinematographer wants and needs, then Canon answers the call with this impressive offering.

The EOS-1D C was built to shoot cinematic quality, in a compact and versatile EOS body. It is able to capture 4K (4096 x 2160), 24p (23.976) content directly to its on-board CF memory cards. It does this by using an 8-bit 4:2:2, high bit rate Motion JPEG compression scheme–allowing 4K content to be acquired in virtually any shooting environment, without an off-board external recorder.

Coupled with the camera’s small form factor, the EOS-1D C allows 4K recording in environments that would normally be impossible or that would require much larger cameras, crews and permits. It also allows filmmakers to be discreet in crowded or hostile shooting environments, on and in vehicles, or even in underwater housings.

In addition to its large pixel size–for outstanding still images and 4096 x 2160 video–the camera provides the serious photographer with a generous ergonomic design, along with a smart layout of the controls. Dual CF card slots ensure that every shot can be captured, while the magnesium alloy body is dust and weather resistant, allowing you to get the job done without hesitation, or worry.

Producing the selective focus and field of view that made filmmakers fall in love with the EOS 5D Mark II, the standard Full-Frame HD setting on the EOS-1D C takes advantage of the camera’s 36mm sensor width. This setting is ideal when filmmakers want to take full advantage of Canon’s EF and EF Cinema prime lenses to capture that unique and distinct full-frame look–though Canon’s EF Cinema zoom lenses require the Super 35mm Cropping setting, fixed focal length EF Cinema lenses will cover the area of a full-frame sensor.

As a new category of hybrid HDSLR cameras is created, capable of shooting 4K video–the motion picture industry standard–Canon and the EOS-1D C enter previously uncharted territory. Now cinematographers can shoot feature films from inside cars and planes, or documentaries using underwater housings–allowing a whole new perspective to be captured for the big screen.

Cinematic 4K Video
Putting the industry standard of 4K (4096 x 2160), 24p (23.976) video into an EOS-1D camera body revolutionizes the way feature films, documentaries, and television studios can record. Now instead of teams of workers, heavy and complicated equipment, and even permits just to use it all, you can get an enormous amount of versatility, mobility, and creative control without losing cinematic quality.

The 1D C can also simultaneously output a time code stamped, uncompressed 8-bit 4:2:2 Full HD signal for off-board recording–Clean HD video via HDMI. While recording in this high quality, however, roughly each minute of recorded content occupies 4GB of storage space. Therefore, a 64GB CF card can record approximately 16 minutes of 4K content so you will likely come to rely on the dual CF card slots as they fill up faster than HD video on previous DSLR cameras.

Full HD Recording
The EOS-1D C is capable of recording Full HD (1920 x 1080) content to on-board CF cards with a choice of frame rates (24p, 25p, 30p, 50p and 60p), in two distinct fields of view (Full-Frame HD and Super 35mm Crop). Both are recorded as 8-bit 4:2:0 H.264 based Full HD video, and can be recorded at a number of frame rates all the way up to 60 progressive frames per second (which requires no up scaling in post when dropped into a 1920 x 1080 timeline).

The 1D C’s Super 35mm Cropping setting matches the motion picture industry’s standard imaging format and angle of view when in a commercial or feature film environment. Using this setting will match the depth of field and angle of view used in virtually all digital cinema cameras on the market today (including the Canon EOS C500 and C300).

Note: Canon’s EF Cinema zoom lenses require the Super 35mm Cropping setting, since they do not cover the area of a full-frame D-SLR imaging sensor. Canon’s fixed focal length EF Cinema lenses, however, will cover the area of a full-frame sensor.

18.1Mp Full-Frame CMOS Sensor
The EOS-1D C features Canon’s full-frame 18.1 megapixel CMOS sensor that’s designed from the ground up to create high resolution, perfectly detailed images with unprecedented speed and clarity. A full 24 x 36mm, the sensor captures 5184 x 3456 large individual 6.95 µm pixels and has a much-improved S/N ratio resulting in better images from the start.

A photodiode structure with an increased photoelectric conversion rate increases the sensor’s sensitivity by approximately 2 stops over previous models, meaning higher ISOs with the lowest noise of any EOS digital camera. And a 2-line 16-channel simultaneous signal readout means speeds of up to 12 fps (RAW + JPEG) and even 14 fps (Super High Speed Mode) are possible.

HD Compression Modes: IPB and ALL-I
When recording 1920 x 1080 HD video with the 1D C to its on-board CF cards, the file type changes from that of the 4K Motion JPEG to the more familiar MPEG4, AVC, H.264 file types used in previous EOS HDSLRs. The two compression schemes that can be chosen during Full HD recording are “IPB” and “ALL-I.”

The “IPB” compression scheme (Interframe, Predicted Frame, and Bidirectional Predicted Frame), allows for good image quality and a significant reduction in overall file size compared to first generation HDSLR cameras such as the 5D Mark II, 7D and 60D. It is well suited for recording long, continuous clips where lots of tight editing and cuts are not as likely to occur in post-production. When using IPB compression, approximately 15 minutes of Full HD recording produces a 4GB file (though continuous recording file sizes are not limited to 4GB in the 1D C).

The second “ALL-I” compression scheme (All Intraframe), processes each individual frame as a complete image, and each frame can be edited with its quality still intact. This is ideal for situations where editors expect to make many precise edits to original video files. However the trade-off with ALL-I is that file sizes will be about 3x larger than those using the IPB method.

Therefore, a 4GB video file (Full HD 1920 x 1080) will contain roughly 4.5 to 5 minutes of video when recorded using the ALL-I compression method. That said, it still produces relatively small files and is the best choice for projects that will be widely distributed in a variety of formats.

Internal Audio Recording and Silent Volume control
Recording audio on the EOS-1D C can be done internally–using either the built-in microphone, or via an external microphones and a standard stereo mic jack. Automatically, or manually control sound levels over a 64-step, user-adjusted range. Like the EOS-1D X and EOS 5D Mark III, the EOS-1D C offers silent adjustment of audio (or exposure) settings with its touch-sensitive Quick Control Dial.

Noteworthy on the EOS-1D C is a built-in headphone jack, simplifying greatly the task of monitoring audio during recording or playback. This is especially useful when combined with the silent control feature for adjusting audio levels during actual recording. However it is still recommended that when doing documentary, commercial, television or feature film production that the camera’s audio be used only as a reference to sync with.

14-bit A/D Conversion, Wide Range ISO Setting 100-51200
The EOS-1D C not only offers 14-bit signal processing for excellent image gradation, it delivers higher standard and expanded ISOs, and a score of new options to enhance shooting in varied and fast-changing lighting situations. With a standard range of ISO 100-51200, the EOS-1D C represents a 2-stop increase in sensitivity over previous cameras. Thanks to the improved signal-to-noise ratio of the new sensor and powerful noise reduction, the EOS-1D C can shoot at expanded sensitivities down to ISO 50 (L) and up to 102400 (H1), and even 204800 (H2)! Beyond the obvious advantages of its wide ISO range, the EOS-1D C has automatic ISO settings, found on the dedicated ISO menu. Minimum and maximum ISO settings can be specified, as can a user-defined range, plus full auto and manual.

Dual DIGIC 5+ Image Processors for Enhanced Noise Reduction and Blazing Processing Speed
For a whole new level of performance, the EOS-1D C uses Dual DIGIC 5+ Image Processors that include four 4-channel A/D converter front-end processing circuits and deliver speeds of up to 12 fps (RAW + JPEG) and 14 fps (JPEG). Compared with the predecessor, Canon’s DIGIC 4 Image Processor, the Dual DIGIC 5+ Image Processor offers approximately 17x faster processing speed, and feature new algorithms that promote greater noise reduction at higher ISOs. In addition to conventional image processing functions the Dual DIGIC 5+ Image Processors offer real-time compensation for Chromatic Aberration in both still and motion images. With the power of these two processors, speed improvements are noticeable from the instant the camera is turned on and the stunning results speak for themselves.

61-Point High Density Reticular AF
The newly designed 61-Point High Density Reticular AF features an Offset Array Sensor (with staggering AF point arrangement) to deliver greater accuracy, no matter the situation. It offers multi-zone wide-area AF for better tracking, has 5 central dual cross-type points (f/2.8 diagonal), 21 central cross-type points (f/5.6 horizontal and vertical) and 20 outer cross-type points (f/4.0 horizontal), and is sensitive in extremely low-light situations (EV-2 for a central point with a f/2.8 lens).

The EOS-1D C has a dedicated AF menu tab, so AF can be controlled without having to go through custom function menus. It also has 6 AF point selection methods (Spot, Single Point, Single + Adjacent 4 Points, Single + Adjacent 8 Points, Zone Selection, and Automatic AF Point Selection), plus a dedicated AF configuration tool for control of AI Servo AF III tracking parameters (tracking sensitivity, acceleration/deceleration tracking, and AF point auto switching).

The EOS-1D C uses the 100,000-pixel RGB Metering Sensor to aid the AF system in Automatic Point Selection. This dramatically increases the tracking performance for subjects that were previously unpredictable to follow, such as fast-moving or flying subjects. EOS iTR (Intelligent Tracking and Recognition) AF recognizes the subject based on face and color detection from the AE system, and tracks it using AF points. The EOS iSA (Intelligent Subject Analysis) System incorporates color recognition and Face Detection for proper exposure. Specific parameters can be adjusted and refined and saved in the AF menu for later use.

Magnesium Alloy Body with Shutter Durability and Dust and Weather-Resistance
For professionals who demand nothing less than the best, the EOS-1D C is designed to perform superbly, even in the most treacherous environments, every time. The body is constructed of rigid, high-strength magnesium alloy for rugged performance and features a new grip design for easier finger placement and reduced hand fatigue. Its newly redesigned shutter has lightweight and carbon-fiber blades, and is rated to maintain up to 14 fps performance without compromise, for up to 400,000 cycles.

Ultrasonic Wave Motion Cleaning (UWMC)
The EOS-1D C’s integrated cleaning dust removal cleaning uses a carrier wave type self-cleaning sensor unit. While previous dust removal systems removed dust adhered to the surface of the infrared absorbing/ultraviolet-blocking glass in a frontward direction by vibrating the glass with ultrasound, the new system effectively rolls rather than shakes the dust particles off, removing an even greater amount of dust, especially smaller particles.

As with previous cameras, the IR/UV absorbing glass in front of the EOS-1D C’s sensor is treated with an anti-dust fluorine coating making it easier to remove damp or sticky dust particles. As part of Canon’s Integrated Cleaning System dust missed by the camera can be identified and removed using the Dust Delete Data feature of Canon’s Digital Professional Pro software, bundled with every EOS digital SLR.

Intelligent Viewfinder with Superimposed LCD
The EOS-1D C’s Intelligent Viewfinder offers a sharp, bright approximately 100% field of view with an approximate magnification of .76x, a viewing angle of 35° and a 20mm eye-point. With a new construction featuring aspherical lens elements, the viewfinder displays less distortions and color aberrations than previous models. It uses a transparent LCD to superimpose a customizable combination of focus points and gridlines directly over the image.

The AF status indicator can even be directed to display within or outside of the viewfinders image area. With the intelligent viewfinder, unlike with other cameras, the photographer has the choice of seeing shooting information or looking only at the scene in front of the camera. The ability to effectively erase all shooting data and turn it back on with the touch of a button gives the photographer the opportunity to concentrate simply on looking and composing the photograph without distraction, a great advantage in numerous shooting situations.

 

    


Canon EF-S 10-18mm f/4.5-5.6 IS STM

Canon EF-S 10-18mm f/4.5-5.6 IS STM

  • EF-S Mount Lens
  • 16-28.8mm (35mm Equivalent)
  • Aperture Range: f/4.5-5.6 to f/22-29
  • One UD Element & One Aspherical Element
  • Enhanced Lens Coatings
  • Optical Image Stabilizer
  • STM Stepping Motor for Quiet AF
  • Four-Group Optical Zoom System
  • Full-Time Manual Focus Override
  • Seven-Blade Circular Aperture

The Canon EF-S 10-18mm f/4.5-5.6 IS STM Lens is a wide-angle zoom lens designed specifically for EOS APS-C DSLRs, where it provides a 35mm-equivalent focal length range of 16-28.8mm. The optical design incorporates one aspherical element, one UD (Ultra-low dispersion) element, and one large-diameter element to minimize chromatic aberrations throughout the zoom range and contribute to notable image sharpness and clarity. Enhanced lens coatings have also been applied to lens elements to minimize lens flare and ghosting for maintained image contrast and color neutrality.

Benefiting working in difficult lighting conditions, an Optical Image Stabilizer has been integrated into the lens design to minimize the appearance of camera shake by up to an effective four shutter speed steps. Pairing well with Canon’s EOS Movie Servo AF, an STM stepping AF motor produces smooth, near-silent focusing performance that is further benefitted by a rear-focus design, high-speed CPU, and intelligent AF algorithms for quickened focusing. Full-time manual focus override can also be utilized for fine-tuned focusing precision as closely as 8.7″.

  • Wide-angle zoom lens specifically designed for APS-C-sized sensors provides a 35mm-equivalent focal length range of 16-28.8mm.
  • Four-group optical zoom system helps to realize a compact, lightweight form factor.
  • One UD element, one aspherical element, and one large-diameter element have been incorporated into the optical design to minimize aberrations and distortion throughout the zoom range.
  • Enhanced lens coatings have been applied to lens surfaces to reduce flare and ghosting for maintained image contrast and color fidelity.
  • An Optical Image Stabilizer helps to minimize the appearance of camera shake by up to four stops for improved usability in difficult lighting conditions.
  • An STM stepping AF motor realizes smooth, near-silent autofocus that is complemented by a rear focus system, advanced AF algorithms, and a high-speed CPU for fast AF performance.
  • Full-time manual focus permits critical focusing precision, even in AF mode.
  • A seven-blade circular diaphragm helps to produces an aesthetic out-of-focus quality.
    

Canon EF 16-35mm f/4L IS USM

Canon EF 16-35mm f/4L IS USM

  • EF Mount L-Series Lens
  • Aperture Range: f/4 to f/22
  • Optical Image Stabilizer
  • Two UD and Three Aspherical Elements
  • Fluorine Coating
  • Internal Focusing Ring-Type USM AF Motor
  • Full-Time Manual Focus Override
  • Water- and Dust-Resistant with Filter
  • Nine-Blade Circular Aperture
  • Minimum Focusing Distance: 11″

The Canon EF 16-35mm f/4L IS USM Lens is a wide-angle zoom lens featuring a constant f/4 maximum aperture to provide consistent performance throughout the zoom range. The optical design incorporates three aspherical elements, including one large-diameter aspherical element, as well as two UD (Ultra-low Dispersion) elements to minimize chromatic aberrations and contribute to high edge-to-edge sharpness and resolution. A fluorine coating has also been applied to the front and rear lens surfaces to reduce flare and ghosting for maintained color neutrality and image contrast.

Benefitting working in difficult lighting conditions, an Optical Image Stabilizer has been integrated into the lens design to minimize the appearance of camera shake by up to an effective four shutter speed steps. For fast, smooth, and near-silent autofocus performance, a ring-type USM (Ultrasonic Motor) AF motor is employed and benefits from an internal focusing design to maintain the overall length of the lens during use. Full-time manual focus override can also be utilized for fine-tuned focusing precision as closely as 11″ throughout the zoom range.

When paired with an optional Protect filter, this lens also exhibits a dust- and water-resistant construction to enable its use in inclement conditions.

  • Wide-angle zoom L-series lens is suitable for use on both full-frame and APS-C sensors (where it provides a 35mm-equivalent focal length range of 25.6-56mm) and features a constant f/4 maximum aperture for consistent performance throughout the zoom range.
  • Two UD elements and three aspherical elements, including one large-diameter aspherical element, have been incorporated into the optical design to minimize aberrations and distortion throughout the zoom range.
  • A fluorine coating has been applied to the front and rear lens surfaces to reduce ghosting for maintained image contrast and color fidelity.
  • An Optical Image Stabilizer helps to minimize the appearance of camera shake by up to four stops for improved usability in difficult lighting conditions.
  • A ring-type USM AF motor, along with an internal-focusing design, realizes fast and accurate focusing performance.
  • Full-time manual focus permits critical focusing precision, even in AF mode.
  • When an optional 77mm Protect filter is used, the lens realizes dust- and water-resistance for use in trying environmental conditions.
  • A nine-blade circular diaphragm helps to produces an aesthetic out-of-focus quality.
    


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