I wrote this note in a "stickie", then took a screenshot!While I was writing the blog post entitled Handwriting on the Web, I was quite surprised that the typeface appeared as it was intended to: I’d assumed I’d have to take a screenshot of it to make it appear properly in a web browser. As it turns out, my original instincts were correct.
Or, possibly, partially correct. On some computers it looks the way I intended, and on others it looks like an ordinary sans serif font.
So, here is the typeface as I saw it in my blog editor:
To show this, I took a screenshot in my blog editor
My conclusion: handwriting fonts are best used in small doses, and displayed as a graphic, i.e. a screenshot, rather than text.
So, you’d like to use a handwriting font on your website or blog? It’s pretty easy, but you ought to think about the impression you want to create. And perhaps use it sparingly, unlke in this article.
elikan Souverän M600: Handwriting Sample, by DragonLord878 https://www.flickr.com/photos/57993471@N06/
As it happens, I didn’t think about this at all until I came across the “Dating fails” blog posts by Timothy Goodman. I say “came across”: they landed in my email inbox courtesy of an Adobe newsletter. Those articles, autobiographical notes about how he fared in the girl-boy game, clearly lend themselves to a handwriting font approach. Unlike the article you’re reading now, I think!
To find handwriting fonts, just do a search on “handwriting fonts for websites”. I found a particularly useful site: 75 Free Handwriting Fonts for Designers. The one I’m using here is Austie Bost Marketplace.
An article I think you will find especially useful is this one: Tips in Using Handwriting Fonts for Stunning Web Designs.
Well that's enough on this subject for now. Normal fonts will be resumed as soon as possible!
Victorian humour? A contradiction in terms, surely? Not according to Bob Nicholson, a lecturer in history who is on a mission to make Victorian jokes funny again (which presupposes they were funny in the first place, of course, but one assumes they were!).
Now, you may think this has nothing to do with writing, but it has. Bob is using a computing technique known as “text mining” to trawl through loads of Victorian publications held by the British Library, and extract jokes.
The next stage is to extract what is known as the “meta-data”, and example of which is shown in the illustration below. The<j> and </j> tags indicate that the enclosed text is a joke (as opposed to a news item, say), while the “t” tags refer to the title of the joke as it originally appeared in a publication.
It's all in the tags
Next, Bob aims to superimpose the jokes onto Victorian illustrations, in the form of speech bubbles. Here’s an example, taken from a photo of one of Bob’s slides. The woman is asking how much the lawyer charges for a divorce, and he replies “$100 or 6 for $500”. You can add to the humour by contextualising the exchange in an illustration.
A joke superimposed on different illustrations
You can view much clearer examples by scrolling own the article entitled Introducing… the Victorian Meme Machine!
So why should any of this be of interest to the writer? I think there are two reasons.
First, the sort of text mining techniques that Bob is using could one day be applied to our work. It’s reassuring, to me at any rate, that even if one is not a big name author one can still achieve a certain kind of immortality, or be of interest to some future historian.
Second, if you have a particular interest in Victoriana, this project certainly will shed some new light on the subject.
If you are so inclined, you can follow Victorian Humour on Twitter and, in due course, receive an automatically generated Victorian joke every day.
In the meantime, listen to Bob explaining what he’s doing:
In this article I look briefly at the Indie Author Powerpack and Business for Authors
At any one time I’m usually reading several books. It means, of course, that it takes me a long time to finish any one of them, but I find that reading several books in parallel works for me.
Reading habits would be a good topic for an article but for now I just wanted to bring to your attention a couple of publications you may find useful. These are not reviews as such, but (I hope) useful information.
The first is The Indie Author Powerpack: How to Write, Publish and Market Your Book.
This comprises three books:
- WRITE. PUBLISH. REPEAT.: The No-Luck-Required Guide to Self-Publishing Success - Sean Platt & Johnny B. Truant
- LET'S GET DIGITAL: How To Self-Publish, And Why You Should - David Gaughran
- HOW TO MARKET A BOOK - Joanna Penn
Unusually for me, I am mentioning this even though I haven’t actually opened it yet. A supreme act of faith? Perhaps, but one that is based on experience.
I’ve read some of Johnny B. Truant’s stuff and found it useful despite the fact that I don’t care for his writing style that much. But my main point of reference is the (updated) How to Market a Book, by Joanna Penn.
I have a few of her books, including the first edition of How to Market a Book, and find them very useful indeed: full of good advice and plenty of links. What I especially like about her books is their honesty: “I tried this and lost a load of money” (I’m paraphrasing), and the fact that she never says, as far as I know, “Do this and in six weeks you’ll be a millionaire”.
I aim to review this fully as soon as possible, but at the moment the whole pack, comprising all three books, is available for £0.77, so you have almost nothing to lose.
The other book I wanted to mention is Business for Authors, also by Joanna Penn.
Again, I haven’t finished reading it, so this isn’t a full review. So far, I’m impressed. I’ve read loads of books on making money as a writer, and they tend to go into things like finding work and pitching for big money clients. What I like about this book though is its clear guidance on the nitty-gritty of running a business as a writer.
For example, she talks about the different kinds of income streams you can start to enjoy. Other authors mention this in an airy-fairy kind of way, but this book gives concrete examples, with links and other information (such as how to turn your book into an audio book).
Well worth buying – there are e-book versions too if you prefer.
I love books that you can dip into, and I am always interested in what writers have to say about their craft. Jurgen Wolff’s Your Creative Writing Masterclass has proved to be highly rewarding on both counts.
The book is organised into 6 sections, each of which contains several chapters. The sections are Finding Inspiration, Characters Come To Life, Shaping the Story, Finding Your Style, The Process, and The Writing Life.
As someone who writes mainly non-fiction, I was unsure whether parts of the book what be relevant to my needs. In a sense, they aren’t, since I’m not concerned with things like developing characters. However, even those chapters can be useful for the non-fiction writer.
There's plenty of useful advice in these pages
For example, if you are writing a profile of someone, you might consider taking Kurt Vonnegut’s advice to his creative writing classes students:
“… to make their characters want something right away – even if it’s only a glass of water. Characters paralyzed by the meaningless of modern life still have to drink water from time to time.”
In a more general sense, I find that reading what the great writers have to say on all aspects of writing quite interesting. I am convinced that my writing will improve by reading their advice, perhaps by some process of osmosis, which the OED defines as:
“A process resembling osmosis, esp. the gradual and often unconscious assimilation or transfer of ideas, knowledge, influences, etc.”
Perhaps more directly useful are the chapters dealing with writer’s block, criticism and money.
As well as quotes aplenty, the book also contains a section at the end of each chapter called “From advice to action!”, in which the author suggests a few practical exercises or things to think about.
I’m extremely impressed at how much research has gone into the writing of this book. It features the advice of over 150 writers, both modern and not so modern.
An index of authors would have been useful, but there is a list of authors featured in each chapter.
I think that buying this book would be money well spent. If you’re a beginning writer you will be able to benefit from the wisdom of those who have trodden the path before you. If you are a seasoned writer, it may help you gain a different perspective, or perhaps remind you of a way of looking at an issue (eg bad reviews) that you might not have considered.